The other day I was in Tony’s Pizza and I took a few seconds to admire the artwork they placed around the room. One of the pictures that caught my eye was a painting of all the significant Italians in movies and television. In the top left hand corner was Tony Soprano. In the bottom right, Vito Corleone. Bobby Deniro stared out of the canvas with his venomous eyes and Joe Peschi was frozen in time making a gesture that probably was accompanied by a “fuggetaboutit”.
I was replaying the most memorable scenes from each of these movies in my mind when I noticed that smack dab in the middle was Al Pacino. This wasn’t Al Pacino as Michael Corleone. This was Al Pacino as Tony Montana from Scarface. It had been a while since I had last seen Scarface, but I was pretty sure that one of the key plot elements of that movie was that Tony Montana was Cuban.
But why would an Italian restaurant have a picture celebrating famous Italian’s with a Cuban as its centerpiece? I convinced myself that I must be wrong and decided to watch the movie again.
Yeah, he’s Cuban. The only reference to an Italian in the movie is when they mention “connected guys” and Al Pacino makes a disgusted sound similar to the sound I make every time I get my receipt from an ATM.
So why was he front and center of this painting in an Italian restaurant? Because of balls. It’s the characteristic that most cultures covet and every culture respects. Tony Montana out-does everyone in the balls department and makes Scarface one of the five best movies of all time.
I used to think claiming Scarface as a top five movie wasn’t a bold statement, but after checking with the American Film Institute I discovered they didn’t think it was even in the top 400. I’m sure they would claim Tony Montana was one dimensional, that the plot was clichéd and the directing second rate. However, those aren’t things that necessarily factor into my analysis. Besides, you’re better off trusting me instead of sniffely ponces who think movies were perfected in the 30′s.
Let’s start with the overall storyline. How many times have you seen a drug movie that follows this track: things are bad, things get better, things get great, things get bad, things get horrible.
Every single one? Scarface kind of follows this trend, but with one big difference – even when things get “bad” and “horrible” you don’t feel much sympathy or regret for any of the main characters. In other words, did anyone watch that movie and go “man, I would never want to be an insanely rich drug dealer”? The dinner scene where Al Pacino is drunk and Michele Pfeiffer keeps doing coke at the table is supposed to be this moment where you go “and through all their money and power…they are still empty inside”. However, I’ve had much more depressing dinners than that and I didn’t have a personal body guard hand the wait staff a wad of bills to make things right. Michele Pfeiffer isn’t really that much of a junkie in that scene either. She seems a little boring and money hungry, but it’s not like she had fallen into this personality throughout the movie. She was boring and money hungry since her introduction.
Yes, in the end Tony kills his best friend, watches as his sister get gunned down and is shot roughly 30 times before dying in his indoor fountain, but isn’t that ending exactly what you needed? If you want to see a movie where evil turns to redemption and retirement, watch the Godfather III and count the number of times you threaten to turn it off.
No, you want to see a guy who is lying face down in a mound of cocaine get up to grab a huge gun and try to blow up the small army that is attacking him. Then when he’s REALLY pissed off he throws down the gun and takes 10-15 bullets in the chest while yelling insults at his attackers. That alone makes Tony Montana qualified to be on the painting in Tony’s Pizza.
Talking about Tony’s confidence as the reason to like this movie is like saying you liked Showgirls because of the tits – it needn’t be examined much further than that. However, the reason I can vault Scarface up the list of exceptional movies is because of other aspects.
For instance, the music. Back in 1983 music was starting to embrace the “all in one” synthesizer. Lots of songs sounded like they were done on the same preset and were woefully inappropriate (people didn’t figure out they were only good for motivational fast jams until Rocky IV in 1985). The scene where he shoots his best friend and is standing over his body while his sister cries hysterically should be the most powerful moment of the movie. Instead, you’re distracted by the music that sounds like a mix between “Take My Breath Away” and something created on a Fischer Price music maker.
The other thing that makes this movie great is the depth or rather, the lack of depth in Tony’s courtship and relationship with Michele Pfeiffer’s character. The first time they meet they have an awkward conversation on the dance floor where Al Pacino convinces me that no matter how big your balls are, you can still look uncomfortable while dancing. After that…the courtship is over. It’s straight to proposal time. And these aren’t even idealistic proposals…these are matter of fact proposals. I’m half expecting Tony to say “And I would like to put my penis into your vagina. Sperm will mix with your egg and we will have a baby in roughly nine months”.
Throughout the movie there is only one scene where either of these two actually look happy. It’s at their wedding when they run past their guests towards the river to look at their new tiger. Let me repeat it because it takes a while to sink in – The only time the couple is happy is when they run past their guests to go look at their new tiger. That in and of itself is enough to put this movie in AFI’s top 400.
At the height of Tony’s success he’s pulling in $10-$12 million a month. Nice. However, there’s not one scene in the movie where you look at his lifestyle and go “man, that is the life!!” Think about the club they go to. Sure, people are dancing, they are treated like VIP and can buy the best champagne for every Cuban in Miami, but what about the scene where they show the entertainment? This comedian comes out and does 8 one liners about coke before turning it over to some fat guy wearing a rubber mask who moves around a little bit. NOW THAT’S ENTERTAINMENT!!
This is the thing people don’t realize about the 80s…it sucked, but everyone thought it was great because they were doing enough coke to make a fat guy in a rubber mask solid “entertainment”.
Oh and by the way…the comedian in that scene is Chris Bliss and he’s 100% cool because of this:
Mix all of this in with the fact that Tony refers to his balls more than three times in the movie (which is enough to get them a credit) and you’ve got yourself an amazing movie and one of my top 5.
Tony Montana may not deserve to be front and center on a painting depicting famous Italian film stars, but he deserves to be somewhere on every canvas. His story reminds us that we can fly straight and boast longevity or we can put the peddle to the metal, have no fear and never back down from anything. Now, I’ve got to go finish this budget report so I can get out a little early and eat take out in my room.

General Ackbar:
Uncle Owen: