The phrase, “too good to be true,” must have been invented by the Pilgrims. I imagine they landed on Plymouth rock, saw the vast, untamed landscape before them and wept as the thought of freedom overwhelmed them. This beautiful bay, these dominating trees and lack of tyranny must have seemed pretty good.
Then the winter came and the current inhabitants came – each saying, “you can’t live here.”
Now, hundreds of years later, I once again experienced the phrase.
What started out as a free puppet show for adults ended up being an event that only two pitchers of margaritas could wash away.
Let me preface by mentioning that I have an unusual affinity for puppets. So much so that at a college interview I strongly considered conducting the interview with my sock on my hand to create a memorable experience. 
When a friend of mine asked if I wanted to go to a free puppet show for adults, I said yes while trying to catch my breath. How fun was this going to be?!? So fun that I decided to keep a running diary of the event:
7:21
As we walk to the theater, my girlfriend asks me to explain the difference between a puppet a marionette and a muppet.
7:43
I finally finish my dissertation on puppet classification and my girlfriend has officially declared that I cannot touch her for the next three weeks.
7:50
We meet up with our friends who are equally excited about the puppet show.
7:53
The theater is open so we go to find some seats. The theater is less of a theater and more of a yoga studio turned awkward. There are roughly 40 seats and nothing else in front of us except a blue mat for people to sit on as if they were 8 years old. I begin to wonder how adult this puppet show will be.
7:58
After reviewing the program, there is little that delineates puppets. Most of the program looks like this:
First Movement – The Feather of Intrique
Alexandra Petresta: Director
Alexandra Petresta, Sylvia Bran, Joanne Duprun: Performers
8:00
I lean over to ask the person who invited us to the show: “How sure are you this is a puppet show?”
She points down to the last section of the program and says, “I’m pretty sure there are puppets in this part. The rest looks like dance.”
8:01
It has just hit me that I am at a dance performance. Something I swore I would never do unless I was dating a lesbian. Only one out of FIVE sections has any puppets.
8:04
“Are you sure you didn’t read the description wrong? Maybe it said, ‘come see a dance show, you stupid puppets’?”
8:06
The performance begins with a woman dressed as a bird moving around the room like a chicken. Just cause you’re dressed up as a bird doesn’t make you a puppet. I want to make that incredibly clear.
8:11
The bird performance has just reached a whole new level of discomfort as the violent bird dancing turns into a mating ritual with another bird. Yeah, I get it…birds fuck and don’t need to buy the female birds drinks to do so.
8:13
I’m now reading the program word for word because the birds are dry humping on stage.
8:14
The venue we’re at is BAX. I have no idea what this could stand for.
8:17
Brooklyn Acadamy of Xenophobia?
8:19
Brooklyn Artistic X Marks the Spot?
8:20
Bring Ample Xanax?
8:24
I whisper, “These puppets look awfully real!”
8:27
The second “movement” starts. A girl walks out on the stage with something in her pants to make it look like she’s got a little chubby boner. Another girl joins her on stage, then another. They both notice the chubby at the same time. The girl reaches into her pants and pulls out a miniature disco-ball. 
8:31
The dance is all about how it feels to embrace your Lesbianness. Is that a word? Lesbiananity? Lesbianisticness?
8:41
And now the part of your dance program where we challenge the question of sexuality. Please disregard the two previous “movements” as this one REALLY is about what it feels like to be a lesbian.
8:43
Three women dressed as men (with drawn on facial hair) do a line dance to some new snazzy country song. I’m pretty sure people in the audience are supposed to be amazed by how androgynous these dancers are, but I’m too busy listening to the music. Country music used to be about pure misery. Hank Williams sung about how depressed he was and how his only happiness could ever come was from his own death. That’s country music to me. This stuff being played right now is all about how confident these cowboys are and how great it is to be alive and have a nice truck. What? It’s like hip-hop infiltrated country music and no one noticed.
8:51
The final “movement” before the puppets begins. There is no music and every time I hear a car horn down on the street, I get excited that some music will finally be played.
8:52
Nope, this is a dance meant to make you think. They crawl along the sides of the walls, play with the window shades and flip the light switches on and off.
8:53
My girlfriend says, “This is why we don’t have cats.”
8:55
How is this stuff choreographed? Are they in rehearsal and someone says:
“Frederick! I got my foot caught in the radiator.”
“Yes, YES, YES!!! I love it.”
“No, seriously, it’s stuck and it hurts.”
8:57
They flick on a strobe light, a woman in the corner drops her pants and dances around a wooden beam. Oh!! This must be about the Industrial Revolution!
9:01
There are now five people standing in the middle of the room lip-synching a Japanese song. They aren’t moving, just lip-synching. It’s the most entertaining thing I’ve seen so far.
9:04
YES! BRING ON THE PUPPETS!!
9:05
A clown comes on the stage, covered in colorful rags, wearing an army helmet and stumbling drunk. I get it, it’s a homeless clown! How ironic/stupid.
9:06
AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!
The first puppet of the evening comes out on stage and it is the most horrific thing I’ve ever seen. Imagine a naked old man who weighs roughly 40 pounds and you can see all of his bones through his sagging skin. Then imagine this old man with giant black eyes and an oversized skull.
9:10
The puppet is either begging for money from the homeless clown or he is offering him something. Either way, I wouldn’t give that thing anything and there’s no way I’d take anything he was offering.
9:11
If that puppet doesn’t get off the stage right now, I’m going to puke. 
9:12
The puppet finally leaves and they start the next scene. Basically, a clown is tied up in a chair and being interrogated by another clown who is threatening to torture him by throwing pies in his face. Good lord.
9:14
Every time the tied up clown gets a pie in the face, they pull off the gag and she start screaming in gibberish that sounds like Arabic. Great, not only is it the weakest concept I’ve ever seen, but racist too. Next they’re going to bring out a globe and be shocked by how small the world is.
9:31
The show ends. One puppet. There was one puppet in the entire performance and I couldn’t look at it because it reminded my of what my dead grandfather might look like today. Clowns are not the same as puppets.
9:32
“Thank you so much for coming. Now we’re going to bring out the performers for a group discussion.”
9:32 (one second later)
We’re out the door faster than anyone else, but it seems like the rest of the audience has the same idea.
9:34
As we’re outside, I put my arm around the friend who invited us to the “Free Adult Puppet Show,” and mention, “That was not what I would call an overwhelming amount of puppets.”
After a few drinks and a general consensus among the group that the overall performance was more funny than inspiring, all was forgotten. Although it was a primarily puppet free night, it was still entertaining enough to make fun of it later. Some things are too good to be true and some things are too bad to be bad. It all works out eventually.
